Add this Event to Calendar 06/02/2021 03:00 PM 06/02/2021 04:15 PM Mystery Book Group

The Hot Pink Farmhouse by David Handler

So much for the peace and quiet New York film critic Mitch Berger expected to find in his antique carriage house overlooking Long Island Sound. Nothing can shelter him from the goings-on in nearby Dorset. A violent death in a speeding attempted suicide by the school superintendent...and dirty politics are about to propel Mitch out of the shadows into a starring role. And then there's his new love, resident state trooper Desiree Mitry.

Des has transferred out of her position as the highest-ranking black woman in the state police homicide department to give more time to the art for which she has a sure talent. But as she soon learns, Dorset's bucolic exterior hides some ugly secrets. The femme fatale daughter of a famous local sculptor is killed in a car explosion that makes tabloid headlines. Now Des is on the case, saddled with a pushy former colleague, and reaching out to Mitch for an extra pair of eyes-and arms-in a case that threatens to tear the town apart.

Moderated by Carole Shmurak, author of 11 books and Professor Emerita at Central Connecticut State University. To participate, contact Carole at

Spring 2021: Black Noir and Blanche White
The first African-American detective in fiction was Dr. John Archer, in the novel The Conjure-Man Dies (1932) by Rudolph Fisher. Dr. Archer appeared in only one short story after that, and Fisher died in 1934. It took another 25 years for the next black detectives: Grave Digger Jones and Coffin Ed Johnson, in Chester Himes’s A Rage in Harlem (1958). Female African-American detectives didn’t appear until the 1990s, with Nikki Baker, Eleanor Taylor Brand, and Barbara Neely all publishing their first detective novels in 1991–92. This spring, we’ll consider five authors, two white and three black, whose detectives are African-American.

Contact: Carole Shmurak